"Just out of curiosity, have you ever played a game by Atlus?
Like, anything in the Persona series? Or one of the Shin Megami Tensei games?"
(Sorry for informal quote; the Quote function is glitching on me for some reason.)
Not anything of Persona, but of Atlus's other stuff, yes, and I do understand the pedigree of the Persona folks. The overwhelming response to this, though, is indefensible based on what we've seen - a bunch of samey block puzzles in an ill-rendered, grimy dungeon. We've no hint that there's anything beyond that in gameplay - heck, anything beyond that in gameplay *environments* - which would be promoting skepticism for any other title at this stage yet for Catherine is apparent cause to hail it as the Second Coming of gaming.
I get the "slacker loser's fear of commitment/being manipulated by women" metaphor, and like everyone else, I think the old-time theater opening is neat. There's nothing else here, though, that evinces the wit, imagination, or substance of Atlus's good stuff. It's just riding on the "oooh, tits" and "oooh, a game trying to tackle mature subject matter; we must automatically hail it as the pinnacle of human artistic endeavor" reactions.
Like, anything in the Persona series? Or one of the Shin Megami Tensei games?"
(Sorry for informal quote; the Quote function is glitching on me for some reason.)
Not anything of Persona, but of Atlus's other stuff, yes, and I do understand the pedigree of the Persona folks. The overwhelming response to this, though, is indefensible based on what we've seen - a bunch of samey block puzzles in an ill-rendered, grimy dungeon. We've no hint that there's anything beyond that in gameplay - heck, anything beyond that in gameplay *environments* - which would be promoting skepticism for any other title at this stage yet for Catherine is apparent cause to hail it as the Second Coming of gaming.
I get the "slacker loser's fear of commitment/being manipulated by women" metaphor, and like everyone else, I think the old-time theater opening is neat. There's nothing else here, though, that evinces the wit, imagination, or substance of Atlus's good stuff. It's just riding on the "oooh, tits" and "oooh, a game trying to tackle mature subject matter; we must automatically hail it as the pinnacle of human artistic endeavor" reactions.