I posted an update patch video on the previous page. This one here.

Cyberpunk's 1.1 Patch Created A Game-Breaking Glitch
Takemura isn't doing so well after the latest Cyberpunk patch, and it's affecting game progression.

I posted an update patch video on the previous page. This one here.
How deep can this rabbit wormhole go?![]()
Cyberpunk's 1.1 Patch Created A Game-Breaking Glitch
Takemura isn't doing so well after the latest Cyberpunk patch, and it's affecting game progression.www.thegamer.com
Well that’s up to CDPR, whom it would seem Can Dig Pit REally Deep.How deep can this rabbit wormhole go?
Wow, that's the worst argument I think I've ever heard. Freakin' vampires, Nanomachines, Psycho Mantis, clones, FOXDIE, Metal Gears, parasites, cyborg ninjas...Okay, but if it's not a realistic universe why does the character look (to a large extent) like a real woman?
That's literally how they're treated in the context of the game world. Nobody gives a shit about the ads or their pervasiveness. It goes by as unquestioned and broadly accepted as bikini chick beer commercials were in the '80s and '90s. The only character I've seen or heard of that points any of it out as exploitative, is Judy....but they would probably be considered trite if not entirely pointless by anyone actually living in Night City in 2077.
No, you're just trying to employ contemporary real-world sensibilities diegetically.They are, essentially, a failure to actually conceptualize how de-humanizing marketing would be...
You mean the mission where the guy's a Copt and no one seems to have noticed, because to figure it out you have to look around Zuleikha's home?...This in a game where a side mission has a guy get crucified for his sins as a means to record a blockbuster braindance, which shows that someone in CDPRs writing department understood just how far and how weird commodification would go in a world ruled by corporations without ethics. It didn't really translate to the minute to minute aesthetics though.
True, but i don't think that is actually bad. It fits the genre. Cyberpunk was always more about the fears and sensibilities of the time it was written than about the future.Ironically, the ads themselves are "contemporary real-world sensibilities" employed diegetically.
Try reading it next time.Wow, that's the worst argument I think I've ever heard.
Is that not kind of the point of cyberpunk?No, you're just trying to employ contemporary real-world sensibilities diegetically.
Okay, but let me be a bit more direct about this than Geth was.If those ads manage to get a reaction out of the player for the shameless and boundless commercialisation of everything sexual and sensual than they have fullfilled their purpose.
First, i don't think it is funny. I never even thought it was supposed to be funny.Trans women are already commodified a sexual objects. They're hugely overrepresented in porn and sex work, because there's a significant minority of cis people who are attracted specifically to trans women. Those people can sometimes be weird and gross but they do not see their own sexuality as a joke. They've gotten past the LOL WOMAN WITH PEE PEE stage, so I don't see how having an advert which centres specifically on that kind of incongruity is exploiting the sexuality of trans women. It's exploiting the fact that cis people think trans people existing is funny.
But in a society where trans people are normal enough to have mainstream commercial appeal, why would it be funny?
The sexualized transsexual is a problem because it is a joke, or you are at least taking it as a joke which i dont think it is intended to be.You're absolutely right about the Cyberpunk genre and its intention. But I'm with Terminal Blue on that CDPR is not making an anti-corporation statement with that ad, they are just repeating a trite homophobic joke and vaguely framing it as a bad advertisement.
It is similar to how Ammu-Nation's commercials are framed in the GTA series. The joke is not about Ammu-Nation being a purveyor of military grade hardware but about American's weird obsession with firearms ("Anti-Aircraft guns? We've got'em!"). CDPR probably intended for the Chromanticore ads to be a Cyberpunk eyeball kick to show how evil corporations are, but the base of the joke is still a transphobic depiction of a sexualized transsexual and that's what shines through.
Now that is a complaint i can agree with.Except CDPR has not done a good job. If you invite vegan friends over for dinner and say it will be all vegan and then tell them, once they are at the table, that by the way all the courses contain eggs or dairy you should rightfully be criticized for your poor hosting skills. CDPR talked a big deal about how totally inclusive they were (though all previous signs point to the contrary) and it turns out that they really weren't. Apart from the Chromanticore ad you've only got a secondary character that's transsexual and nothing else. That's beside the problem with inequal sexualization as mentioned in my previous paragraph.
Because the point of it being everywhere is that it has become a normal thing and therefore isn't brought up in conversation like it's something special. That's the whole idea of inclusion, being there without it being special. Or am i wrong? Because if I am, then it isn't equal representation and inclusion into society that you want, it's special treatment. Or worse, the trans community is afraid of being included because then they will run out of things to be victims about.The game itself never even broaches onto the topic of how body modification can be used for trans representation or to widen or diversify the range of sexual experiences a person can have.
It's more like inviting a Vegan over to a party and having special vegan meals prepared for them so they can join you at the table. Meanwhile the vegan continues to nag you about being merely vegetarian. Or maybe a better example is having a dinner party in which everyone else is eating a normal meal, and you've gone out of the way to make a vegan meal so you friend can join you and all they do is complain about what you're eating. Rather than being happy that your group made concessions so that you could be included with the group, you can only focus on the things they are still not doing the way you want.If you invite vegan friends over for dinner and say it will be all vegan and then tell them, once they are at the table, that by the way all the courses contain eggs or dairy you should rightfully be criticized for your poor hosting skills.
But there is context. The context is the world itself. The universe that they are showcasing uses the ads as elements of the larger picture. Even if each individual aspect isn't directly addressed, it doesn't have to be. That's what makes world building good, when it's left for the player to piece the context together based on the rest of the world around them.All the ads are portrayed entirely without context and very few of them can even be contextualized within the game.
So, the advert isn't selling sexual services or cyber-penises or anything that would actually make sense with the image. It's selling soda (or some kind of drink). The relevance of the image is tied to the marketing slogan "mix it up", which is where the image comes in. The implication is that this person is "mixed up" by being a feminine figure with a cartoonish massive dong. Whether you find it funny or not, that is a joke. It's an old, boring joke.First, i don't think it is funny. I never even thought it was supposed to be funny.
I mean, that would be my assumption too. However, there's not many obvious reasons why a person would want to possess a cybernetic penis outside of the context of gender transition. If I had to do so, I would assume that the character in the advert would, in universe, be non-binary or genderqueer (hence the "mixing" of gendered characteristics implied). However, in reality a feminine person who has a penis is likely to be socially recognized as a trans woman. Hence the "joke", outside of its in-universe context, is at the expense of trans women.Second, i didn't understand it as being about transwomen either. When Cyberpunk presents me with someone with a mostly female body type and a penis, my first assumption would be that the penis is an implant or graft. Which fits both the overcommersionalisation of sex stuff and the common body modification directions.
I'm aware.As for how transpeople are treated, we have a whole questline with a transwoman as companion (Claire).
What you are asking for is freedom beyond what the contores of the linear writing can play off. You forget that in order to add transgenderism upon the player character in more than physical ways, requires additional voice lines, additional story beats, and probably a completely different way of reacting to the events of the game as a whole.If your principle move towards trans inclusivity is giving players control over their characters genitals and breasts, then the implicit assumption is that these are the things that matter in terms of expressing trans and non-binary identities.
America has a weird obsession with guns because our history and independence was largely decided on the freedom to own them and exercise the 2nd Amendment (the fact that it was 2nd only to free speech speaks for itself). While that may sound like dated reasoning, it’s ultimately a big part of our legacy and has simply become ingrained in our culture as a result. I’m all for more effective gun control but for that to really be possible, the same would have to apply for all the illegal instances of gun use. Which is about as unlikely as expecting a global zero tolerance initiative to be enforced across the board, regardless of military/civilian/terrorist status.You're absolutely right about the Cyberpunk genre and its intention. But I'm with Terminal Blue on that CDPR is not making an anti-corporation statement with that ad, they are just repeating a trite homophobic joke and vaguely framing it as a bad advertisement.
It is similar to how Ammu-Nation's commercials are framed in the GTA series. The joke is not about Ammu-Nation being a purveyor of military grade hardware but about American's weird obsession with firearms ("Anti-Aircraft guns? We've got'em!"). CDPR probably intended for the Chromanticore ads to be a Cyberpunk eyeball kick to show how evil corporations are, but the base of the joke is still a transphobic depiction of a sexualized transsexual and that's what shines through.