He can shout that until he's blue in the face. There's authorial intent and then there's what comes out on the paper.crazyrabbits said:SW was never about "the rise and fall of Anakin Skywalker". The original trilogy was Luke's story through and through - it was never Anakin's. That was something Lucas wanted to push when he made the Prequel Trilogy, and he's spent enough time trying to convince people of this latter goal that most people still don't believe him.Anachronism said:Now, more seriously. Why? Why Episode 7? What is the point? As much as people tend to hate the prequels, the saga as it currently stands tells one consistent story: the rise, fall and redemption of Anakin Skywalker.
If he wrote the prequels and they change the meaning of Episodes IV-VI, that's his own fault.
I agree with crazyrabbits, I have no idea what the point of an Episode VII would be. It is extremely likely be tonally inconsistent with the first six movies.
I have no problem with that, really.
I'd rather, instead of Episode VII, making it a "Next Generation" type series. New Republic, New Jedi Order? Forget all that. Grab the Pixar guys, set it hundreds of years in the future as a piece set in motion by the six canon episodes, with nods to the originals. THAT would be better than an Episode VII, that is trying to squeeze more story out of the pre-existing characters and giving excuses to have to make references and ties to the original movies. An open sandbox is where Pixar SHINES.
And, Disney, word of advice. Please oh please oh PLEASE no "dream fanboy" casting (director or otherwise). Take your cues from Pixar. No Whedon, no Smith, no Robot Chicken guys, no ascended fanboys. It's bad enough Episodes I-III were pretty much weighted down by the fact that nobody would say boo to Lucas when he produced crap. Don't make yourselves slaves to people who feel they need to cater to fanboys.
(Yes, I'm aware Whedon had a hand in writing the Toy Story script. Given the way Pixar produces scripts, I wouldn't say he was overwhelmingly responsible for the final product.)
Find directors who respect the material but show enough objectivity to make a quality product without sacrificing the spirit of the originals (and, ahem, not turn EVERYONE into Han Solo).