Okay, yeah. Let's get into this one.Lancer723 said:Another point I want to make that calling the Twins characters racist is bullshit. Look these are giant alien robots, if they were all given the same personalities it would be boring. And the nagging question in my mind is that you actually took the time to take these characters, apply them to your preconceived notion of what is stereotypical African-American behavior, then take those thoughts to the internet and spew your opinion on what is and is not racist. Seriously, if someone hadn't said that they're portrayals were racist I wouldn't have even thought of that, honestly, it never crossed my mind.
The problem with Mudflap and Skids isn't in my or anyone else's perceptions or preconcieved notions of African-Americans. This isn't like Jar-Jar Binks, where a wholly-original creation seems to incidentally embody certain old stereotypes. The defining physical features of the twins - the googly-eyes, big floppy lips, simian ears, attention-focusing teeth and shuffling gait are cast-in-car-parts recreations of a very specific brand of cartoon-caricature common at the turn of the century and well into the late-1940s generally called a "Sambo" (or sometimes "Golliwog" if you're from Europe, though there's some nuance to that one) or a "Pickaninny" if the character is meant to be young. When coupled with the Twin's personality characterization, i.e. ignorant, illiterate, bickering and overly self-amused, this places them in a secondary type refered to as "Minstrelsy," as in reminiscient-of-a-minstrel-show. You can go ahead and google any of those terms.
Sambos and Minstrel Shows ARE racist caricatures, the Twins ARE Sambos, therefore they ARE racist caricatures. Whether or not the person(s) who signed off on their design are aware of that is irrelevant - if I draw a Nazi swastika, it's still a Nazi swastika whether I know what it stands for or not. At BEST, their presence is a demonstration that more than one person on the creative staff of this film is STUNNINGLY ignorant of entertainment history.
If they didn't have anything to do with him, he shouldn't have been there.Devastator. Well I'll agree that they could have and should have done more with him, I will say that in that particular plot it would have been a bit difficult to slot him in otherwise, because there's only so much they can have him do in the damn desert.
The problem with Devastator's appearance is the problem with the whole movie: Stuff happens for random reasons without much sense. It's now coming out (allegations, I stress) that Bay etc. apparently "got around" the writer's strike by planning out and locking-down action scenes without any context to be "linked together" after the fact whenenver the writers were able to get back to work. Sadly, looking at the film, I believe it.
That's likely how you end up with this kind of disjointed mess: Devastator gets this HUGE, ominous, "ship-coming-out-of-the-clouds-in-ID4" introduction because... well, because they promise everyone Devastator would show up, so here he is. But since it's a movie, you need something for him to do: Open the pyramid. Why are the random "fresh" Decepticons doing the hand-to-hand fighting while the nigh-unstoppable robot-eating god-monster is doing something that it looks like ANY of them could do? Because he's just there to be there, no plan, no reason. Hence the deus-ex-machina of having John Turturo make a phonecall to a Navy character we've had almost no introduction to, who reveals his boat is carrying an anti-Devastator super-gun that we've NEVER heard of in the film before. That is the EPITOME of bad storytelling, plain and simple.
See also: In the 2nd act, we randomly encounter a Decepticon who can transform into a human. First off, this makes no sense. If the robots can turn into people, why do they have to hide-out as CARS? Wouldn't hiding be EASIER as people? Secondly, even if she's one-of-a-kind, WHY is her job to grab Shia; something that EVERY Decepticon has proved wholly capable of doing in the past. Why isn't she infiltrating the Pentagon or something? This seems like kind of a valuable asset to waste on a snatch-and-grab assignment. BUT, there she is: Because we've decided we want a "human transformer" scene and we're just gonna put it wherever it kinda lines up. Again, bad, disjointed storytelling.
(Post-script on that last point: Y'know what the worst part is? There's a way that could've been better AND earned this film at least one-star for a glimmer of brains: Make Megan Fox the Decepticon - i.e. maybe she got killed at some point in #1 and they swapped her out with a sleeper. THAT would've been a nifty twist, and it's even got a built-in joke: "Aw man, I KNEW she was too damn hot!")
I'm making a big deal of Devastator's balls because the MOVIE makes a big deal of Devastator's balls. If it WAS just a background joke, fine, it wouldn't rate a mention. The problem is, the film THEN drops in a human character to point to them and loudly exclaim: "ENEMY SCROTUM!!!!," like they're so proud of this gag they had to make sure we "got it."Oh and it's incredibly idiotic to make a huge deal out of something that got all of 3 seconds of screen time, and was obviously meant as a joke.