Scars Unseen said:
I have to disagree with that. It is true that this happens to some series that run longer than they should(*COUGH*Heroes*COUGH*), but Joss Whedon's shows tend to have the opposite problem: they start slow and sometimes take a couple of seasons to hit their stride. First season of Buffy? Standard monster-of-the-week tripe in retrospect. Angel? Pretty boring until a couple seasons in. Dollhouse? First season was Quantum Leap until near the end of the season. Then it got good too late to keep Fox's interest. Firefly is the only Whedon show where the first season wasn't outshone by the preceding seasons, and that's possibly only because we didn't get more seasons.
Firefly wasn't cut down in its prime; it was cut down before it could hit a full sprint.
That's the problem with Whedon's projects in general. He does not have a clear idea what he wants to do with them. That strategy worked on WB because it was a network starved for content and it was willing to back moderately successful series like Buffy and Angel. Fox, which is never starved for content, can afford to be picky with what ponies it wants to back.
And why should Fox back a show like this? What they had was a disjointed series that alienated its target audience with its unfinished nature. To them, the ones that are not aware of this being Whedon's approach to writing, it was a waste of time.
Had Whedon done the work and make everything make sense BEFORE he wrote the pilot script, then the show would have lasted longer. I know the go to defense is that Whedon could not devote a lot of time and energy to making it work because he could not get a commitment from producers, but that's a cop out. It is also something successful show creators don't practice. He should have done the work anyway and make the series better than its unique premise and cutesy poo banter.
And spare me the correct order nonsense, please. If Whedon spent more time creating the universe before the first episode, then it would not have mattered if the train robbery was shown first. Had he had a better idea of what he wanted to do, then he could have easily written 5 minutes into that first aired episode explaining the universe.
Better shows are written with series finale in mind. Burn Notice has been building up towards its series finale from the pilot episode. Matt Nix did not expect the show to be picked up, but he did the work anyway and created a mostly complete storyline for the series as a whole. I could go on, I have about a dozen examples, but the point is the same. If firefly had more polish to it, then it would have lasted longer than one season because more than just the Whedon audience would have watched it. Whedon does not get a pass for being Whedon.