DarkhoIlow said:
Regarding the Synthesis ending being proclaimed "best ending". Since when? That completely nullifies the whole point of Shepard's goals from the beginning. Does no one remember Saren? Yeah, that went very well.
Destroy is in my eyes the only canon ending, because this was the whole point from the beginning of the game. I don't agree that the fact after making peace between Quarians and Geth, the Geth will be completely destroyed along with EDI as well (which compared to some I really liked) did bother me, but "sacrificing millions so that billions may live" was the best decision for me.
erttheking said:
Yeesh, the words "whiny" and "entitled" are getting thrown around a lot, along with other things. Come on, there's a valid discussion to be had here. Can't we talk about this like reasonable civilized people? There's no need to be insulting, and that goes to people on both sides of the debate.
Yes, there is something that is worth discussing, like how people no longer identifies with the Hero when it accepts the Antagonist logic. I am of course, refering to this:
http://awtr.wikidot.com/long:this-is-not-a-pipe
Now, @DarkhoIlow may not know it, but the higher the EMS you have, the more endings you get and the less chance that you end up vaporizing everyone by Relay explotions (low EMS run on the EC still show that they explode as before. Only on High EMS, the only thing that blows up is the gyroscopic rings of the Relay) + The Crusible killing everyone (not just synthetics but organics too) in low EMS Destroy. I remind you all that "relays exploding = dead solar system by explotion" is canon because the Arrival DLC is canon, and the endings have to subvert that in some way (at least until the EC)
The only ending that requieres the highest EMS, and is viewed as "the ideal solution" by The Catalyst, AND doesnt blow up the relays because there is only one variation of this ending, is Synthesis.
The article there suggest that NONE of the endings (except Refusal) are worth trying because they are "thematically revolting" and they are basically the same methods that the Reapers use.
So far i agree with that, but i dont agree with the idea that the Protagonist CANT see something worth using or agreeing with the Antagonist logic. People use Saren as an example of how the story doesnt agree with "Merging organics and the Reapers into one. Strenght of both, the weakness of neither" but.....that is not true.
You see, we dont agree with Saren because:
1)He was indoctrinated
2)We DIDNT convince that "merging" is wrong, we just tell him that the Reapers are controlling him but not precicely that what he was thinking is wrong per se.
Shep is not saying: "I believe that merging may be a good idea, but the Reapers dont seem too happy to coperate, and since they wipe out civilizations every 50.000 years and we have yet to see a race spared by the Reapers by being one with them, it seems that they will just kill us ASAP rather than coexist with us"
Shep instead says: "No you are wrong because you are indoctrinated, you argument is invalid" (PERMABANNED)
Which is as coherent as any argument on the Internet. Maybe Shep frecuents 4000Chan?
Point is, i see Shepard dissagreeing with the asociation with the Reapers with Saren, rather than Saren itself and what he had in mind. After all, he wanted everyone to survive.
If Shep really was into the ideology that Transhumanism or being half human half machine (Cyborg) is a bad idea in general or moraly repugnant, he/she would probable rip his own guts to remove the implants. Or be in constant struggle with the horrible truth that, since Cerberus resurrected him as a cyborg, he/she is now the very thing that he/she despices.
But anyway, i would like to know if it is ABSOLUTELY nessesary for all fiction EVER to just have an Antagonist that is not only the opposite of what the Protagonist believes, but ALSO has to be automatically wrong in everything the Antagonist thinks like some kind of strawmen. I was under the impresion that that kind of shit is something that a fan-fiction writer does. You know, making a self insert protagonist with an antagonist that its OBVIOUSLY a strawmen or someone who dissagrees with, and therefore...
WROOOOOOOOOOOOOOOOOOOOOOOOOONG.
There MUST be some kind of example in recent fiction or somewhere where the protagonist agrees with the antagonist and the fans didnt make a shitstorm about it, because it made sense and was well written in its delivery.
None of you remember any of it?