Rogue 09 said:
Well, it certainly does look like a "future ship" no matter what it may be. Size proportions would be more consistent to a Galaxy Class than to an Excelsior class ship, but that may just be me.
The lens flare is still bugging me a lot (I know, it's an old argument but a valid one) and this is the same movie that we've seen from Star Trek a too much recently. Revenge story with a much more powerful ship.
Some of the best films were about equally armed ships pitted against each other, or the enemy using something crafty to get around the Enterprise's superiority. I'd rather have something like Star Trek 2 where Kirk was blindsided by a friendly looking Miranda Class starship and a strategic back an forth rather thank "look at the monstrosity. let's take it down."
I'm not expecting anything cerebral from these movies until they get rebooted again. The new Trek is for stupid people who can't comprehend plot, philosophy, or science. It's a Die Hard in space, which (while I like Die Hard) breaks my heart for what these movies could have been...
You and me both, brother. The '09 film's attempts at philosophising a la the original Star Trek literally had me facepalming through the whole thing. And I can't remember the last time I saw a time travel plot handled so badly. If Nero is so angry about Romulus being destroyed in the future, why doesn't he use his trip into the past to actually
warn the planet and prevent the destruction he's so angry about? And why do black holes act as time travel holes in the first place?
I'm honestly convinced that the Star Wars prequels were a better follow up to Star Wars than the Star Trek reboot to the Star Trek series. For all their many, many flaws, at least the prequels
tried to have the same flavour as the original films. The new Star Trek films couldn't be more ashamed of their legacy if they tried, and they've got
none of the intelligence, the philosophy or the earnestness of the original Star Trek series. The original Star Trek, for all its soft sci-fi, was groundbreaking in how it challenged accepted morals of the time, and forced audiences to think about ethically challenging problems. It was the show that broke all the rules of the time when it came to non-white characters. These new films are just a way to keep the folks at Industrial Light And Magic in work...