Worst plot twist you have ever seen in your life

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Siege_TF

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Laggyteabag said:
The Pacific Rim sword
For that one they could have at least had the sword corrode after the fight and require replacement, but it reminded me of one that rustles my jimmies.

Jumper takes place in the U.S. of A, land of the free, home of the 'Junior, don't play with my gu*BANG*' but there's no guns. There's a handful of teleporters jumping around, and not one of them has a gun. The paranoid survivalist had what, a bat and a acetylene flamethrower? But not a gun. They go through a warzone in the climax, and nobody picks up a gun. This isn't a twist, his mom is a crusader or templar or whatever is a twist, and it's unnecessary, and bad, like the whole movie, but the gun thing is still something I can't get over.

If the chubby dude that got shanked on the tree near the start of the movie had tried to jump with a gun, only for it to explode in his hand leading to his capture THAT would have solved that. If the survivalist (I don't care about his name) had mentioned to the protagonist that anything volatile might explode in a jump, while he was explaining how important it was to keep a low profile WHILE TELEPORTING A CAR THROUGH TRAFFIC, that might have been ... something. I would have been happy with anything, but that movie was worse than nothing, and I wanted my money back. I still want my money back! :mad:
 

FuzzyRaccoon

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I know it's not the worst twist ever but... the twist that most disappointed me has to be Star Ocean 2:Till the End of Time's midgame twist. It was just so... ANNOYING.
 

CharrHearted

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WonkyWarmaiden said:
w23eer said:
Kingdom Hearts has a lot of stupid twists.

[KH II]
Ansem's back!
Except the real Ansem is dead, and this fake Ansem is just Riku in disquise.
... except it turns out that the real Ansem wasn't the real real Ansem - it was just a fake real Ansem using the real real Ansem's name the whole time! Real real Ansem has been in hiding this whole time! The fake real Ansem's name was actually Xehanort.
[KH:BBS]
... but Xehanort isn't the real Xehanort, just a fusion of the real Xehanort and some other bloke, who also lost his memory so fake Xehanort (who, remember, is also the fake real Ansem) doesn't even know he's the fake Xehanort!
[KH:DDD]
Real Xehanort is back from the past!
And so is fake Xehanort!
And so is real Xehanort... again, but from even further back in the past!
And now everyone in Orginization XIII is also Xehanort somehow!


Oh God. What? That's actually what happens? Wow, I'm glad I stopped after KH2.


Dont listen to him, he's making the storyline seem much more complicated than it honestly actually is.
 

sumanoskae

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T0ad 0f Truth said:
It was a terrible ending and a terrible example of writing, but let's be honest here, Video games don't really have good writing in general.
You really think that? There are plenty of games with great stories; ever play through KOTOR II's Restored Content Mod, Telltale's Walking Dead, or Red Dead Redemption?
 

sumanoskae

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Well, I'm not sure if Mass Effect 3's ending counts as a twist, but it sure as fuck has all the elements of a bad one.

Let's recap:

The central conflict of the story so far is just a red haring. Your knew goal is to resolve the metaphysical conflict between organic and synthetic life.

You accomplish this via a machine built at an unspecified point in the past by persons unknown which, according to the very enemy you're trying to destroy, can alter all life in the galaxy on a molecular level in an unspecified way. And these mysterious past architects left control of this device to whatever dopey fuckwit happens to collapse in front of this particular command console, which apparently nobody has ever done before.

How do you use this machine? Well that depends on which mode it's in.

You can destroy all synthetic life in the galaxy, by blowing the fuck out of a tube with your gun. Keep in mind that nobody ever tells Shepard to do this; he or she apparently just deduced that, unlike most machines, blowing this fucking thing up will activate it, as opposed to, you know, blowing it the fuck up. An alternate interpretation would be that the good Commander has finally cracked, and is committing suicide via demolition and hopping to take the Reapers with them.

You can gain control of the Reapers by grabbing a pair of handles and letting the machine disintegrate you. You would think such a thing would certainly kill you, but I guess not. Oh, wait, it DOES kill you, it just also gives you complete control of the Reapers... somehow. "Trust me Shepard; what have I ever done to suggest I shouldn't be trusted. It's not like me and my colleagues have slaughtered countless numbers of your people or pushed you to the brink of extinction. Would I lie to you?"

But wait, there's more. The best option is to take a running leap into a giant green laser beam, which merges all organic and synthetic life in the galaxy... What? So everybody is just half robot now? And the reapers are apparently half organic? How is this even going to work? How does this fix anything? I thought the reapers were built out of liquefied people anyway, aren't they already sort of part organic? Are you just gonna magically transform EDI into a cyborg by replacing her internal organs? Would all children born be cyborgs now as well? Are you accounting for single celled organisms and bacteria, are they now "Synthetic" as well? Don't people with cybernetic enhancements already count as part synthetic? The catalyst said so just a moment ago. This fact hasn't stopped the Reapers so far, why would this change their mind?

And no matter what I do, the Mass Relays will explode? Just ONE Mass Relay blowing up caused an explosion comparable to that of a super nova. Even if we all survive that explosion, the best case scenario is that we all starve to death. Earth couldn't support this huge galactic armada in it's prime, let alone after what the Reapers did to it. That doesn't even account for the fact that some species, like the Turians, can't even eat the same food that humans do.

Why are the reapers even doing this?

Well, as it turns out, the Reapers, a race of synthetics, kill all space fairing species every 50'000 years, so that those same species will not be killed by synthetics... (Yo dawg, I heard you don't wanna be killed by synthetics, so I made some synthetics to kill you, so you won't be killed by synthetics)

Even if we assume this broad, unsubstantiated claim about all synthetics eventually destroying their creators is true, it doesn't change the fact that THE REAPERS ARE SYNTHETIC! By their own logic, they will eventually turn on organic life and wipe it out. This is fucking madness!

http://tvtropes.org/pmwiki/pmwiki.php/Main/InsaneTrollLogic

I'm not even sure if this fucking thing counts as a story, let alone a twist, but it had all the effects of a bad twist; it comes right the fuck out of nowhere and lays waste to narrative coherence entirely.
 

EeviStev

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vallorn said:
It's old enough that I'm not even going to put spoiler tags in this, but essentially the movie's "Spliced" individual goes from a girl who's most evil act is seducing someone, all the way to a boy who ends up raping his own biological mother (At best, Ick, at worst WHY!? Why would you write this!?) The complete and inexplicable tonal shift in the character is clumsy and horribly done, and makes me wonder if a warped ideologue wrote the character's role. It just makes a "Character who we all know will turn evil but we're not going to foreshadow it and just make it a sudden change!" shift, turns it up to eleven, and then indulges in gratuitous and unnecessary things to show us just how "EVIL!!!" this new boy version of the character is...
I'm really not trying to be abrasive or condescending, I just really liked the movie and am compelled to defend it. You know how it is :p

She actually did have character development: she gradually becomes more comfortable around her handlers and with her own body, and she starts questioning the nature of her "confinement". The twist was sudden because it was a biological development, not because her character just up and decided to join the "kill males, impregnate females" lifestyle. She's not evil for the same reason a lion isn't evil for killing zebra. Not evil: dangerous.

Additionally, the twist was foreshadowed twice: right at the start, when the supposedly male and female pair of proto-blobs attack each other because the female turned male and so they saw each other as a threat, and towards the end when, after drawing pictures of the male handler throughout the movie, splice-girl draws a picture of her "mum", indicating the object of her desire- and therefore her physiology- has changed.

Finally, the plot featured extremely mature themes, took them to the extreme, and did it well. "I was grossed out" isn't a comment on the quality of the plot, only your personal reaction to it.
 

Pseudonym2

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The plot twist for The Ward manages the impossible by being simultaneously predictable and unintelligible.
 

Tilly

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Xenoblade Chronicles'

being explained by the fact that 2 random scientists accidentally created a universe.

was pretty bad. Didn't add anything to it and would've been better unexplained. Also

having a "god" who's just an annoying dick (Zanza) is not the best. God's should be scary or praiseworthy, everyone knows that.
 

Roboshi

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In Frozen the curse is lifted by true love. Love also includes familial love. So did the King and Queen not love their children then?
 

CrimsonBlaze

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I'd say that it comes from one of the worst movies I've every seen and only a handful which I had to physically stop watching because it was so terrible.

The culprit is a movie called D.E.B.S., and it is about a secret spy agency that employs teenage high school girls (played by actresses that look much older than teens and not in a Mighty Morphing Power Rangers way) to become spies and are recruited based on their SAT scores (I kid you not).

As if that premise didn't stop you from reading this post it only becomes more ridiculous.

It turns out that there's a lethal super female villain that is on the D.E.B.S. Top 10 Fugitives list and are tasked with capturing her. While proving to be a formidable opponent for both male and female agents, the villain becomes enamored with the female 'straight' lead and allows her to live upon their first encounter (a feat that has never been seen before and lands her instant fame).

The story goes on to have the villain kidnap the female lead several times in which she considers them to be dates and once the female lead catches on (seriously, she's that slow), she attempts to use the villain's affection against her and eventually is able to capture her.

Here's the twist: it turns out that the D.E.B.S. agents are selected by their SAT scores which only determine their level of deceptiveness and how convincing their deception is (how they determine this is never explained. Also, WTF!? SERIOUSLY!?).

Feeling bad for using the villain's emotions against her (???), she promptly busts her out and they ride into the sunset together, having been magically turned bi/gay.

I kid you not; this is an actually movie that had Michael Clarke Duncan in it and was on Netflix for some time.
 

SmallHatLogan

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CharrHearted said:
WonkyWarmaiden said:
w23eer said:
Kingdom Hearts has a lot of stupid twists.

[KH II]
Ansem's back!
Except the real Ansem is dead, and this fake Ansem is just Riku in disquise.
... except it turns out that the real Ansem wasn't the real real Ansem - it was just a fake real Ansem using the real real Ansem's name the whole time! Real real Ansem has been in hiding this whole time! The fake real Ansem's name was actually Xehanort.
[KH:BBS]
... but Xehanort isn't the real Xehanort, just a fusion of the real Xehanort and some other bloke, who also lost his memory so fake Xehanort (who, remember, is also the fake real Ansem) doesn't even know he's the fake Xehanort!
[KH:DDD]
Real Xehanort is back from the past!
And so is fake Xehanort!
And so is real Xehanort... again, but from even further back in the past!
And now everyone in Orginization XIII is also Xehanort somehow!


Oh God. What? That's actually what happens? Wow, I'm glad I stopped after KH2.


Dont listen to him, he's making the storyline seem much more complicated than it honestly actually is.


I don't know, that seems like a pretty succinct and accurate summary to me.
 

FPLOON

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CrimsonBlaze said:
I'd say that it comes from one of the worst movies I've every seen and only a handful which I had to physically stop watching because it was so terrible.

The culprit is a movie called D.E.B.S., and it is about a secret spy agency that employs teenage high school girls (played by actresses that look much older than teens and not in a Mighty Morphing Power Rangers way) to become spies and are recruited based on their SAT scores (I kid you not).

As if that premise didn't stop you from reading this post it only becomes more ridiculous.

It turns out that there's a lethal super female villain that is on the D.E.B.S. Top 10 Fugitives list and are tasked with capturing her. While proving to be a formidable opponent for both male and female agents, the villain becomes enamored with the female 'straight' lead and allows her to live upon their first encounter (a feat that has never been seen before and lands her instant fame).

The story goes on to have the villain kidnap the female lead several times in which she considers them to be dates and once the female lead catches on (seriously, she's that slow), she attempts to use the villain's affection against her and eventually is able to capture her.

Here's the twist: it turns out that the D.E.B.S. agents are selected by their SAT scores which only determine their level of deceptiveness and how convincing their deception is (how they determine this is never explained. Also, WTF!? SERIOUSLY!?).

Feeling bad for using the villain's emotions against her (???), she promptly busts her out and they ride into the sunset together, having been magically turned bi/gay.

I kid you not; this is an actually movie that had Michael Clarke Duncan in it and was on Netflix for some time.
Oh shit! I remember watching this movie more than twice, each time making me laugh harder at how ridiculous the whole premise was in the first place... I even predicted the "straight" lead going gay/bi on my first viewing the moment both her and the female villain finally meet because it's a "romance" movie and the SAT twist felt more deceptive than the true purpose of said SAT... (Also, this movie was shown multiple times on IFC before and after their introduction to their "always on slightly off" slogan...)
 

Artina89

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M Night Shyamalan The Village. As far as I can recall it was about some blind woman who had to stumble around in a forest to get medicine for her sick husband or something and then it turned out she actually lived in
the middle of a bloody nature reserve and that the town she was living in was some kind of Amish village and the elders made up some story about monsters or something to stop people leaving.
I thought it was dumb at the time, and age has not led me to think of the film any more fondly.
 

TheRightToArmBears

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I'd have to say Terminator Genisis (still refusing to spell that with a fucking Y).
Skynet turns John Connor into a Terminator in the future, then sent him back to work for Cyberdyne. Why not send some other Terminator back to work for Cyberdyne before the resistance are just about to kill you, one that isn't going to arouse suspicion from his best friend that just went back? Why not just kill the fucker? How the piss did they turn his flesh into a robot?
To be fair though, the film's plot is an incomprehensible mess, so it's not really anymore is it?

I know Terminator was always full of plotholes, but the old films were never this bad. Everything about Genesis can fuck off.
 

Johnny Impact

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The Village comes to mind. After absorbing the initial setting I asked myself, "What would be the worst possible twist ending to this?" 70 minutes later, Shyamalan delivered it.

The Mass Effect series' ending can suck a dick. Let me spend 90 hours making peace in the galaxy, then have some idiot AI we never saw before arbitrarily wipe out everything I did. Seems legit.
 

Tiamattt

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Roboshi said:
In Frozen the curse is lifted by true love. Love also includes familial love. So did the King and Queen not love their children then?
Hm...I would say yes but at the same time they were also afraid of what Elsa can do, especially after Anna got hurt. So perhaps by whatever weird definition true love counts as in that world theirs didn't cut it. Anna on the other hand didn't care about the fact that her sister became a ice villain and essentially put a timer on her life, she was her sister and that was all that mattered to her. Not your classic case of true love but it fits.

And now I feel sappy. :p
 

Mike Richards

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sumanoskae said:
Well, I'm not sure if Mass Effect 3's ending counts as a twist, but it sure as fuck has all the elements of a bad one.

Let's recap:

The central conflict of the story so far is just a red haring. Your knew goal is to resolve the metaphysical conflict between organic and synthetic life.
Not only did the series frequently explore conflict between synthetics and organics, but the underlying theme behind every major conflict in the series was the way in which they were created and sustained by a lack of empathy towards one's 'enemies'. It's saying that differing groups will turn to conflict when no effort is made to understand each other because things that are different are frightening or confusing.

sumanoskae said:
You accomplish this via a machine built at an unspecified point in the past by persons unknown which, according to the very enemy you're trying to destroy, can alter all life in the galaxy on a molecular level in an unspecified way. And these mysterious past architects left control of this device to whatever dopey fuckwit happens to collapse in front of this particular command console, which apparently nobody has ever done before.
Of course they have no idea who would use it or under what circumstances. The design was slowly assembled and refined by each successive cycle of galactic evolution, either in theory or in practice, all of them finding a way to pass their work on to the next cycle until someone was finally able to get it right. It's a long shot but that's the point, it's the only thing they can do.

sumanoskae said:
How do you use this machine? Well that depends on which mode it's in.

You can destroy all synthetic life in the galaxy, by blowing the fuck out of a tube with your gun. Keep in mind that nobody ever tells Shepard to do this; he or she apparently just deduced that, unlike most machines, blowing this fucking thing up will activate it, as opposed to, you know, blowing it the fuck up. An alternate interpretation would be that the good Commander has finally cracked, and is committing suicide via demolition and hopping to take the Reapers with them.
The Catalyst wasn't actually designed to destroy synthetics since, as you've pointed out, the game seems to present Synthesis as the ideal option. If you really want to get try and get into the mechanics you can probably just assume Shepard is destroying some power regulator or limiter that prevents the energy released from being so strong that it fries the synthetics it's targeting instead of modifies them. That's also why this option seems to destroy the relays instead of damaging them as in the other endings. On a more symbolic level, firing the gun is appropriate for the most violent and militant ending. It's the path of attack.

sumanoskae said:
You can gain control of the Reapers by grabbing a pair of handles and letting the machine disintegrate you. You would think such a thing would certainly kill you, but I guess not. Oh, wait, it DOES kill you, it just also gives you complete control of the Reapers... somehow. "Trust me Shepard; what have I ever done to suggest I shouldn't be trusted. It's not like me and my colleagues have slaughtered countless numbers of your people or pushed you to the brink of extinction. Would I lie to you?"
A human mind couldn't control the Reapers because a Reaper consciousness is not the same as a human one, they make that pretty clear. By interrupting the data stream or something else appropriately sci-fi, Shepard's mind is effectively reformatted into something that can. They aren't the same entity anymore in the same way that the Reaper's aren't the same entities as they were before they were created (But more on that in a moment), but they share enough of the same pieces that they can still empathize with the person they used to be. The 'slaughtering millions and brink of extinction' thing is part of the tragic misunderstanding between the Reapers and organics, which again, we'll get too in a moment.

sumanoskae said:
But wait, there's more. The best option is to take a running leap into a giant green laser beam, which merges all organic and synthetic life in the galaxy... What? So everybody is just half robot now? And the reapers are apparently half organic? How is this even going to work? How does this fix anything? I thought the reapers were built out of liquefied people anyway, aren't they already sort of part organic? Are you just gonna magically transform EDI into a cyborg by replacing her internal organs? Would all children born be cyborgs now as well? Are you accounting for single celled organisms and bacteria, are they now "Synthetic" as well? Don't people with cybernetic enhancements already count as part synthetic? The catalyst said so just a moment ago. This fact hasn't stopped the Reapers so far, why would this change their mind?
Yes, there are a lot of practical considerations that aren't addressed that I would be fascinated to have some more solid answers too. That being said, I don't really need them because none of them are important enough questions to break the thematic logic or emotional satisfaction of what's just a really great optimistic ending. The important part is that Synthesis is meant to give people the tools to make real strides in understanding one another, to put people on an even playing field and tear down the walls of over-reactionary mistrust and irrational misunderstanding that plagued the prior conflicts of the series.

It's a little practically fuzzy to be sure, but not really any more-so then "This magic element we invented manipulates mass really easily because Dark Energy is a thing people have heard of." Speculation and scientific debate is fun, but it's not really the point.

There's also a lot of varied discussion on how exactly Shepard was able to achieve this. The Catalyst says they had experimented with Synthesis before the Reapers were built but were unsuccessful, so some people think that the work the galactic cycles did in creating the device were able to finally solve the problem en masse. A particularly interesting theory is that Shepard themself was so cybernetic at that point due to Cerberus's reconstruction that it provided the Catalyst with a roadmap for successfully integrating synthetics and organics to a degree no one had even accomplished before.

sumanoskae said:
And no matter what I do, the Mass Relays will explode? Just ONE Mass Relay blowing up caused an explosion comparable to that of a super nova. Even if we all survive that explosion, the best case scenario is that we all starve to death. Earth couldn't support this huge galactic armada in it's prime, let alone after what the Reapers did to it. That doesn't even account for the fact that some species, like the Turians, can't even eat the same food that humans do.
The Relays only explode in Destroy, which is one of the many reasons why it's what I consider to be the 'bad' ending. They're only damaged in the others with basically the outright confirmation that they will be repaired. Even in the case of Destroy, ships can still accelerate to FTL on their own, that's how you explore systems in a local cluster in the map. It's just less practical then the Relays, so presumably people can still get around only with greater difficulty and time spent.

In any case, they didn't go nova because the energy stored in the Relay was fired into the beams that broadcast the signal. It would take a hell of a lot of power to transmit something that strong on that scale, and it uses the Relays to feed into the effect.

sumanoskae said:
Why are the reapers even doing this?

Well, as it turns out, the Reapers, a race of synthetics, kill all space fairing species every 50'000 years, so that those same species will not be killed by synthetics... (Yo dawg, I heard you don't wanna be killed by synthetics, so I made some synthetics to kill you, so you won't be killed by synthetics)
This is the big one. Their goal is not to kill. This cannot be overstated. The Reapers are confirmed to be built out of the species they assimilate. They're like the Borg, but as one organism instead of a Hive. The only people they kill are the ones who get in their way, the ones who are harvested to become a Reaper are preserved, as a Reaper, as a record of that species and it's accomplishments.

sumanoskae said:
Even if we assume this broad, unsubstantiated claim about all synthetics eventually destroying their creators is true, it doesn't change the fact that THE REAPERS ARE SYNTHETIC! By their own logic, they will eventually turn on organic life and wipe it out. This is fucking madness!
In a sense the idea that on a galactic scale conflict between synthetics and organics is inevitable kinda seems to be true, or at least likely enough as to be worth taking precautions. We see conflicts arise between groups with much, much less fundamental differences with much less reason to mistrust each other all the damn time.

But the Catalyst is right in that the Created are always made to be better then the Creators, if they weren't there wouldn't be a reason to make them in the first place. We build machines to do the things we can't. And if a real full war broke out between sufficiently advanced Created and Creator, the synthetics would probably win in the end because they would effectively be built to. They could adapt themselves, replace themselves, and leverage the natural superiority of not being constrained by the same things that restrain us because we only sort of know how we work, and we can only sort of manipulate the parts that we do know.

And if they set their sights on all organics? They wouldn't be susceptible to the same evolutionary forces, they wouldn't decay, they wouldn't tire. They could conceivably wipe out organic life and then, that's it, game over. And with the continued cycle of galactic evolution the chances get worse and worse. The more times you let the pattern play out the more and more likely a critical disaster becomes by pure probability alone.

The Catalyst was created to prevent this from happening, but it's an AI. A good AI, but still an AI, and here's where it miscalculates. And miscalculates badly. From it's practical, mechanical perspective it all makes perfect sense. Let organics evolve, live their lives and be generally awesome as all hell. And when we think they're as awesome as they're gonna get, we seal them in a little glass jar and keep them preserved so nothing can ever happen to them.

If the geth wiped out the quarians, the quarians would be gone. That would be it, nothing left. But if the Reapers harvest them, the knowledge and experience of the quarians still exists. It's in Reaper form now, but it's out there, and because it wasn't wiped out it can be used. They're an attempt at Synthesis. A bad one, a limited one, but the best the Catalyst could do with what it had to work with.

The Catalyst doesn't understand how horrifying this is to us because it doesn't understand the way we view the world. We don't understand that the Catalyst is trying to help us because we don't understand how it views the world. And so we fight because we disagree, and we're afraid. But if we understood each other, imagine what we could accomplish together? That's the optimistic promise of Synthesis. We can work together if we try to understand who we are and why we are who we are.

sumanoskae said:
I'm not even sure if this fucking thing counts as a story, let alone a twist, but it had all the effects of a bad twist; it comes right the fuck out of nowhere and lays waste to narrative coherence entirely.
It lays waste to what a lot of people assumed the story was, that's all. And if that's what they assumed the story was, it should lay waste to it. Reapers are evil because 'ooh, scary machines with growly voices', that should be simple. But every other fight in the game was more complicated then it looked. The geth weren't evil. The krogan weren't evil. The rachni weren't evil. But the Reapers should just be evil? They don't get to be any more complex or potential sympathetic in the same way everyone else did? Why not? Even the Illusive Man did some really aggressively shitty things but all the name of protecting his people and ensuring that the galaxy wouldn't kick the shit out of them.

There are a lot of games about killing evil aliens because evil aliens, it's what you do. But Mass Effect isn't one of them. It was never one of them. And why would you want it to be? It's about learning about people and what makes them tick, friends and foes alike. And in the end it says that we can be so much and learn so much more from trying to see things from their point of view then we can from blindly destroying anyone different from us because we think we're supposed to.

It doesn't come out of nowhere, it comes out of the theme of the story. Where all the best endings should.
 

bartholen_v1legacy

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It's not so much a plot twist as much a solution, but the ending of Megamind has sat ill with me for years. The movie is all about acceptance, identity, finding your role in the world and figuring out what makes you happy. For the main character it's fighting the typical superhero Captain Metropolis. But when the hero dies, and Megamind suddenly has his victory, he stops being happy, so he creates a new superhero to have something to fight again. It's clear that his happiness in the world comes from the fight, not victory.

But then the ending happens, and the movie shifts its whole message upside down and inside out. At the end Megamind actually becomes the new hero of the city, and it's played as the right thing for him to do, and that there he can find true happiness. For the whole movie we're pounded with the message of "Be happy to be yourself", and in the end it's "Be what others want you to be", or to put it more crassly "Hey nerds, being a jock is so much better!"
 

SmugFrog

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mysecondlife said:
Eh. I can't really call that a plot twist. Plot twist means story has to change its course. No part of the story was pivotal to Kidd's gender.
Fair enough, fair enough - it wasn't any impact on the overall story just the character reactions. And the later part where that character gets pregnant, which... It was ridiculous and the story had already fallen off to the point to where I was just "let's just finish this up already!"
 

Johnny Novgorod

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The twist in Resident Evil 5. You know the one. Not only is it super obvious, some covers even spoil it.