Bob, normally I trust your reviews, but this is where I have to fundamentally disagree with you. You hate the Scream movies because you feel that their success somehow harmed your life, ruining your uniqueness as "the movie guy", and you hate the '90s for their smug irony. Well, I was born in 1990, so I can't say anything about being in your position.(*) We're from two different generations.
But there is one thing I can tell you about. Before Scream, the American horror movie was dead.(**) Not just dead as in "it's currently in a slump, it'll come back." Dead like hair metal in 1993. The genre had burned itself out on a wave of crappy sequels that turned the big icons of '80s horror -- Jason, Freddy, Michael -- into walking punchlines. No major studio wanted to touch the genre unless they were sure that they could beat that stigma -- see the proliferation of psychological thrillers (i.e. serial killer movies) like The Silence of the Lambs and Se7en throughout the decade. People knew that the genre was cliched to holy high hell, and associated it with cheap "boo!" scares, paper-thin plot lines, and an abundance of misogyny (ladies, if you don't save yourself for marriage, then you'll get an axe in your skull!). Even the jokes that sketch shows made about the genre started getting old.
It was in this environment that Scream came into the picture. This was the horror movie that finally took a long, hard look at the sorry state that the genre was in, and told it where it could shove it. To do that, it went over every cliche, every trope, and tore them apart... and then stitched them back together to show people why they ever went to these movies in the first place. In such an environment as 1996, this movie was absolutely necessary. Some movies may have done what Scream did first, and some may have done it better, but none of them have ever done it to such mainstream acclaim. And that is why Scream is regarded as a classic.
As for the most recent entry, I have this to say. It's not as good as the original, but that movie's a tough act to follow, so that's not really a mark against it. It did a good and, I feel, necessary job skewering both the remake trend and our culture's obsession with celebrity (that's the only thing I'll say about the killer(s)), and it delivered the "goods" from the opening scene onward. Bob, for you to slam not only this movie, but its entire series, as brainless and yet praise Sucker Punch as some kind of bold feminist statement(***) shows that you and I share a pretty big gap in opinion.
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* Except for the fact that that seems like a rather petty reason to hate a movie. It sounds like someone had a bit of a bruised ego from the fact that they were no longer the only one who could quote movie cliches at parties. If you think that's bad, then wait till you see TV Tropes. You'll flip your shit.
** And before you come over to me and beat me over the head with a DVD copy of Army of Darkness for not qualifying this, here goes. Yes, I'm using the broad term "American horror movie" to talk specifically about the general quality and respect of the overall horror output of the American film industry, not any diamonds in the rough. Why? Because that's what everyone means when they say "American horror movie". Yes, Bob, I am a fan of your other show. [http://www.youtube.com/watch?v=9joAb4XMaUs]
*** I kind of got the feminist message that Zack Snyder was trying to impart, but the fact that it was buried under a sea of young Hollywood starlets in skimpy, highly fetishized outfits seriously diluted it. It's like what François Truffaut said [http://tvtropes.org/pmwiki/pmwiki.php/Main/TruffautWasRight] -- you can't make a feminist movie in which your leading ladies are dressed like Bianca Beauchamp, because people will be too distracted by the sexiness on display to care about whatever message you're trying to impart.