1. So, if this person doesn't join the Civil Rights movement due to some white evil or white goody-goody, why does he or she join? Is it a collection of little things that make the status quo too much to bare? Or is this person just swept up in the excitement or looking for a cause to rebel? There must be some reason, however petty.
2. Okay, thank you for the tasteful character description (no, I actually mean it), but what's the conflict of the movie?
3. Now this one I like. Why don't more movies cut out America's not-entirely-overarching presence in everything ever? Just make sure said conflict is interesting.
4. Some people are saying that this movie has been done, but it would be kind of awesome to see somebody pretentious (like Holden Caufield or even orphan Annie) get slapped in the face by the dark side of reality.
5. This would also make a pretty good premise if you do the right kind of experiment. But (and I cannot stress this enough DON'T. SPOIL. THE. ENDING. IN. THE. TRAILERS. OR. TV. ADS!
6. Interesting character study, though I'm sure there would be people disgusted in the way some people (*cough*dad*cough*) were turned off Captain America by the cheesy propaganda part.
7. Again, there's no story here. We should have a world for these characters to operate in.
8. This... would probably end up as a comedy. It sounds like a sketch that would be on Robot Chicken. But with less killing.
9. This one... I don't know. How does this one work? Would it work by reviving the religious man at the end of the film? Or would he die and be revived in the first act to live his newfound reverence for life throughout the rest of the movie?
10. I am concerned this might be like certain crappy 80s and 90s movies involving mythic heroes coming to the present (like Masters of the Universe or Beastmaster 2). Otherwise, copypaste #8.
Some of these do sound like they could work as movie pitches, but the good ones could use a TON of fleshing out. You probably didn't mean these are actual movie pitches and are just venting, but some of these could actually work. Others, not so much. Just flesh them out a bit.
2. Okay, thank you for the tasteful character description (no, I actually mean it), but what's the conflict of the movie?
3. Now this one I like. Why don't more movies cut out America's not-entirely-overarching presence in everything ever? Just make sure said conflict is interesting.
4. Some people are saying that this movie has been done, but it would be kind of awesome to see somebody pretentious (like Holden Caufield or even orphan Annie) get slapped in the face by the dark side of reality.
5. This would also make a pretty good premise if you do the right kind of experiment. But (and I cannot stress this enough DON'T. SPOIL. THE. ENDING. IN. THE. TRAILERS. OR. TV. ADS!
6. Interesting character study, though I'm sure there would be people disgusted in the way some people (*cough*dad*cough*) were turned off Captain America by the cheesy propaganda part.
7. Again, there's no story here. We should have a world for these characters to operate in.
8. This... would probably end up as a comedy. It sounds like a sketch that would be on Robot Chicken. But with less killing.
9. This one... I don't know. How does this one work? Would it work by reviving the religious man at the end of the film? Or would he die and be revived in the first act to live his newfound reverence for life throughout the rest of the movie?
10. I am concerned this might be like certain crappy 80s and 90s movies involving mythic heroes coming to the present (like Masters of the Universe or Beastmaster 2). Otherwise, copypaste #8.
Some of these do sound like they could work as movie pitches, but the good ones could use a TON of fleshing out. You probably didn't mean these are actual movie pitches and are just venting, but some of these could actually work. Others, not so much. Just flesh them out a bit.