I am really, really disappointed that a movie critic would accept such god-awful production values and put them to air. Critic videos always face a certain level of scrutiny. But holy shitballs, that was atrocious. Buy a freaking soft box light and even a cheap clip mic. I have a couple of spares lying around I would gladly post they are that cheap. Maybe upgrade from vhs or dv. It's like finding out that this food critic you respect eats pot noodles for dinner. This is not about technical ability. It is just sheer laziness. The content was lost on me completely due to the horrible washed out 'lighting' that a first year film student would not accept and echoy sound that is inexcusable.
A critic of movies must be regarded as above the average filmgoer in terms of appreciation of the craft. You don't need to be Roger Deakins. But when a guy whos reviews you take about 10 minutes out of the week to watch produces something so painfully and obviously bad. You really need to question your bookmarks. I am shocked that you could look at that and say "That is the composition and lighting I need" and then be critical about the way any film was put together. I am being hard about this because someone fucking has to be. If I turned in a video like that I would be fired and I have never proclaimed myself an expert on anything.
Next time use a clip mic or even use your mic that you use for your VO. Get a cheap video light and put some butcher's grease paper on it to diffuse it and soften it. Put a reflector or tin foil on the coffee table in front of you to fill out your face. Pick a backdrop that either has something in it properly in frame or nothing at all. use only natural light for the background until you get a proper kit. Take down the posters or feature them in shot. Not one or the other. There is nothing more frustrating than seeing half a poster with the light shining off it. Think about composition and what it tells us. (Why does the douchebag, macho gamer still have a NES?)
Get a new camera or use an iphone 4s and up if you are stuck. The 4s can take a clip mic to record sound. This may sound silly but get some matte make up for your face to cover the sheen. Ask for help on that one. I keep some in my kit bag and use it exclusively for guys to get rid of that sheen. This is the bare minimum you need to look good on camera. Jim Sterling took a lot of shit in the early days and now his pieces to camera look better and better because he takes this advice onboard. You and your audience deserve better than this.
A critic of movies must be regarded as above the average filmgoer in terms of appreciation of the craft. You don't need to be Roger Deakins. But when a guy whos reviews you take about 10 minutes out of the week to watch produces something so painfully and obviously bad. You really need to question your bookmarks. I am shocked that you could look at that and say "That is the composition and lighting I need" and then be critical about the way any film was put together. I am being hard about this because someone fucking has to be. If I turned in a video like that I would be fired and I have never proclaimed myself an expert on anything.
Next time use a clip mic or even use your mic that you use for your VO. Get a cheap video light and put some butcher's grease paper on it to diffuse it and soften it. Put a reflector or tin foil on the coffee table in front of you to fill out your face. Pick a backdrop that either has something in it properly in frame or nothing at all. use only natural light for the background until you get a proper kit. Take down the posters or feature them in shot. Not one or the other. There is nothing more frustrating than seeing half a poster with the light shining off it. Think about composition and what it tells us. (Why does the douchebag, macho gamer still have a NES?)
Get a new camera or use an iphone 4s and up if you are stuck. The 4s can take a clip mic to record sound. This may sound silly but get some matte make up for your face to cover the sheen. Ask for help on that one. I keep some in my kit bag and use it exclusively for guys to get rid of that sheen. This is the bare minimum you need to look good on camera. Jim Sterling took a lot of shit in the early days and now his pieces to camera look better and better because he takes this advice onboard. You and your audience deserve better than this.