Alex1508 said:
Let's not forget this is the game series where several female characters reward you for saving them with sex
Which is hardly odd, given how it's one of the few things of value they can offer in that setting by default. Not that different from a drunk hobo and a bottle of rat-piss - he's simply even lower on that social ladder. Alternatively, when we're talking people with a decent position, it's a clever way out of having to offer a reward that actually has a solid value. So... nothing new either, a protagonist that happily gets duped like this is pretty common, which imitates, I daresay, real life.
Alex1508 said:
Is a fair depiction of how entire subject is judged in that setting. It's a "thing" for a bored sorceress, along with more "kinky" details, both being a part of "the usual cycle" that takes place in artificially prolonged life, significantly detached from societal norms. The first part is a perception, most likely encouraged for similar reason sexuality is used in their position. The latter is what lore says pretty explicitly irrc.
As for "seriousness" - there's no "serious" approach to the subject in that setting, because it's not even being recognized as such in that setting. If you lack any significant power, then it's a private matter that's better left undisclosed for the sake of all parties involved, especially with all internal issues that come along with being what society openly despises. I fail to see any significant clashes with medieval-ish material.
Alex1508 said:
Again, in-line with a depiction. Why do you think so many characters that were defamed by medieval histor...
monks have been so similar in bedchamber? Including those, who were accompanied by various forms of Devil. See: "Dandelion" part as well.
Alex1508 said:
rape and sexual assault happens every time the story really needs to drive home how dark and gritty it is
That's your assumption. The idea behind Witcher series (ie. books) is, roughly, to deconstruct "nice" folk tales and place them in a setting that is "enhanced gritty" version of medieval. The one without Roman heritage, a safety net of of pre-medieval custom, a thing that kept a semblance of order in the (usual) absence of law, finally the one without somewhat beneficial influence of the church. There are certain exceptions present, but society at large does not get any benefits those religious enclaves or some rural areas (the ones that are not experiencing an equivalent of 100-years war) have. So while it's far from W40K version of "gritty", it fits source material pretty well. (For the record, I freely admit the author is prone to cherry-picking the worst outcomes. I'd attribute it to, ironically, his badly hidden preaching and moralizing, that, when you read what he wrote, is not so different from an outrage of a proper SJW
)
Alex1508 said:
He's a medieval version of Elvis (bonus: without "sex is a sin" medieval attitude that was shared by many of his critics), so yeah, I'm sure it's hard for him to find *anything*.
There's also an idea that is as old as source material - he writes about "his" adventures with Geralt, some of that drivel is even affecting how our witcher is being perceived as. Well, at least among literate, mostly high-born females, who were the usual audience for romance-peddling Dandelions of both worlds, so "outcast mutant scum" is still A-OK for the masses. I assume you noticed how CDPR went for "welp, this is what Dandelion wrote, so it must be true" approach in EE. I won't be surprised if they expand it in W3, given how it's supposed to be the end. If our entire story is what he sings later on, you get to the point where you ask how much is there to "tittilate" the audience of Dandelion, nevermind the audience of CDPR. As for over-the-top evil, being too gritty or "look, he's gay, do you
finally get how evil he is?", think Varric's God of Crossbow action sequence.
Extra points if she's a sorceress and must use her sexuality and willy ways to manipulate men with her vagina.
Er... this is one of the things they
do, your hyperbole/mockery aside. This is one of the things named characters in games did in the past, what would be the point of pretending otherwise? "Better writing" prize from random Internetian? They have different options than their male counterparts in a society depicted in books and in games, so they are consciously using them, to the point of making it a part of curriculum. The ones that are prone to self-reflection are hardly happy about it. It's shown multiple times in books, irrc you get related and sour convo from blinded Eilhart in W2 as well. The exceptions are "above it", some are engineering the alternative (Loge), but nearly all of them are eager to reap benefits while they can.
As for "these are the only LGBT characters, so it sucks" - there's very little to be said about others in source material in the first place, most likely because they are very private about it for the reasons above (and because it's not Bioware World, engineered to accommodate modern sensibilities first). Both Eilhart and Dethmold are using their position to do whatever they want and they are hardly secretive about it - both are reviled, but hardly because of that alone. You get an episode in a book where a relationship is public only because characters in question can freely murder anyone who disapproves, being lv20 Warrior against lv1 Filthy Peasant. You wouldn't be seeing the same in a different environment.