Now that you explained it I can understand completely, had the same problem with The Master and Margarita (or however it's called in english, don't care really).Fiz_The_Toaster said:I love Dostoyevsky mainly for his arguments on realism. I guess I didn't fully explain why I had troubles, my problem was that I would go days without reading it and I couldn't remember what was going on and I had to re-read sections to get caught up again. I agree about the French portraying realism better, and about the Russians immersing their ideas better. Frankly, I don't understand how there isn't a happy medium with all this, I suppose fiction portraying philosophical ideas weren't meant to be easy to read, but oh how I love it so.
And about the second part, there always is a "happy middle ground", in case of realism it being Gogolj, but in most cases it being the style that comes after it, or the very beginning of the style itself, before it splits into tons of branches, each grabbing a piece of the original idea and sticking with it. Hell Dostojevski isn't even a "realistic" writer in the strict sense of the phrase, he's practically a style of his own.
And almost all art portrays philosophical ideas, it's just that some make it blatantly obvious, while others put a little more trust in their readers (Oscar Wilde, Jonathan Swift, Goethe, folk tales etc etc).